An exerpt from this interview:
I got so frustrated when I felt like Blue Like Jazz was failing, that out of creative frustration I ended up going into the studio with Peter Furler, and then John Painter (of Fleming and John), and then Jimmy Abegg, who’s a longtime friend, guitarist, photographer and visual artist. And we just started recording. Peter had written some music ideas, and I love his melodies. We worked up the songs as a band, then I added lyrics. We were about a month away from having something finished when the Kickstarter campaign started, and it was like, "Oh, man … we’re making a movie." And it’s just been on hold for the last 18 months, because finishing the movie has taken up all my time.
That’s one thing I’ll do once things settle down — get back together with the guys and finish that project up.
