May 23, 2016

Top 25 Thrice Songs

As I await Thrice's new studio album, To Be Everywhere Is To Be Nowhere, (which will be released Friday May 27), I have been thinking a lot about the band's illustrious history. The band has released about 100 songs over their 15-year career, on 7 studio albums and a few miscellaneous EPs and live releases. I decided to write my own Thrice top-20 list, which I quickly revised to a top-25. (Unlike most of my writings, this actually began on scraps of paper while listening to my iPod on a long bus ride, and not on my laptop.)

I recently read a story on OC Weekly that listed Thrice's top-10 songs. I am frustrated by how incomplete and limited it is. Maybe the writer knows the band's history, but the opposite seems true. Not that the 10 songs aren't good--of course they are, they are great--but they are such a small, stereotypical snapshot of what the band has accomplished. Every writer is biased in someway, including me, but three of the 10 songs they picked, including their #1, won't appear on my list.

I did find some other Thrice lists online that were much better and more thought out (but are mostly dated). I find this top-10 list on an IGN message board to be ultra-impressive, as it considers and includes many lesser-appreciated songs from the band's catalog. There is another simple yet impressive list on Sputnik Music. Both of those lists pre-date Thrice's 2009 and 2011 albums however.

The most recent Thrice top-20 song list I found is on Jason Pye's blog. It unfortunately shares much in common with the OC Weekly list: it completely ignores Thrice's quieter, more experimental side and focuses on the edgier rock songs.

Thrice at Hevy Fest, UK, August 2015. Photo by me.
It is hard to rank where Thrice falls on my list of all-time favorite bands, but they are in the top-5 for sure. Since I began using to track my music listening, Thrice has 3,500 plays, while no other artist has more than 2,200. So I can easily say I have listened to Thrice more than any other band for the last dozen years or more. I have a hard time comparing them to my favorite bands of the 90's; but Thrice is far more prolific and has a much larger catalog than many of my favorite yet short-lived bands of the 90's. I have written much about Thrice previously as found here and here. I have been fortunate enough to see them in concert four times (2007, 2010, 2011, 2015).

As much as I love Thrice, their final album prior to their hiatus, 2012's Major/Minor, was a disappointment for me. The songwriting and musicianship is outstanding, but the creativity and experimentation of the band was completely forgotten. One can say it is Thrice's most focused, cohesive album, but it leaves me somewhat bored and wanting more. I will admit is is some of Dustin's most profound lyrics, but only two of the songs from Major/Minor make it into my top 25.

Based on everything I have read and heard so far from the new Thrice album that will drop in 5 days, I am thrilled that they have once again branched out and tried new and different things. I recently came to the realization that I love Thrice's super-heavy songs and their quiet, experimental songs; but the more straightforward rock songs that fall in the middle just don't do it for me, comparatively.

Before I get into the top 25, it would probably be helpful for me to rank the albums and show where my biases lie. (My number 1 is clear and definitive, but then numbers 2-4 could easily change places. I find a huge gap between 4 and 5, and an immense gap between 6 and 7.)

1. The Alchemy Index (2007-2008)

2. The Artist in the Ambulance (2003)

3. Vheissu (2005)

4. Beggars (2009)

5. Major/Minor (2011)

6. The Illusion of Safety (2002)

7. Identity Crisis (2001)

Without further ado, my top 25 Thrice songs, prior to the release of To Be Everywhere Is To Be Nowhere. (Links go to live performances of the songs on YouTube when available, and starred (*) videos were shot and uploaded by me.)

Note: while working on this blog post last night Thrice debuted a new song "Death From Above", which is spectacular and would immediately jump high up this list. I greatly prefer it to all songs on Major/Minor.)

All lyrics by Dustin Kensrue

25. Blinded from Major/Minor
I was always one the good ones, Keeping tabs on everyone else, Sure that I was, One of the chosen
But I was a child of hell; But you buried me in the bright light, Yeah, you held my eyes to the sun till I could see that, That I was worse than I ever feared I could be, But somehow, I was loved more than I ever dared to believe
24. The Artist In The Ambulance from The Artist In The Ambulance
Now I lay here owing my life to a stranger, And I realize that empty words are not enough, I'm left here with the question of just, What have I to show except the promises I never kept?
23. Daedalus from The Alchemy Index: Volume III Air
Oh son, please keep a steady wing, And know your the only one that means anything to me, Steer clear of the sun, or you'll find yourself in the sea, Won't you look at your wings, They're coming undone
22. In Exile from Beggars
I am a pilgrim - a voyager; I won’t rest until my lips touch the shore - Of the land that I’ve been longing for as long as I’ve lived, Where there’ll be no pain or tears anymore.
21. Come All You Weary from The Alchemy Index: Volume IV Earth
Come all you weary with your heavy loads, Lay down your burdens find rest for your souls, Cause my yoke is easy and my burden is kind, I’ll take yours upon me and you can take mine
20. Atlantic from Vheissu
'Cause my eyes are open, and everything still moves in slow-motion, breathless and blue, and behind your eyes the sea, oceans of light envelop me
19. Flags Of Dawn from the Red Sky EP
So put away your fear, the morning star will soon appear, and bring an end, to this dark night, and we must run if we're to meet the light, watered by the blood of martyrs
18. At the Last from Beggars
Am I a good man? I thought I was, But the rewards of this life now count for naught. My body: soon buried and left to rot. The time’s gone, how quickly it all has passed. My God, now I see how I’ve squandered each and every breath.
17. Silhouette* from The Artist In The Ambulance
Your eyes, followed me here. Your eyes, sifting my soul. They leave me broken and forge diamonds from the coal.
16. The Earth Will Shake* from Vheissu
Heartbroken, we found (a gleam of hope), harken to the sound (a whistle blows), heaven sent reply (however small), evidence of life (beyond these walls), born and bred (in this machine), wardens dread (to see us dream), we hold tight (to legends of) real life, (the way it was before)
15. Paper Tigers from The Artist In The Ambulance
They preach to the choir, always in the permanent daylight, They toss paper tigers from their perfect porcelain skylines
14. Open Water from The Alchemy Index:  Volume II Water
The open water is an awful thing, but I'm anxious till the anchor is aweigh. I'm starting to believe the ocean's much like you, cause it gives, and it takes away.
13. Beggars from Beggars
Can you hear what’s been said? Can you see now that everything’s grace after all? If there’s one thing I know in this life: we are beggars all.
12. Red Sky* from Vheissu
Look and see the sky turn red. Like blood it covers over me. And soon the sea shall give up her dead. We'll raise an empire from the bottom of the sea.
11. The Arsonist from The Alchemy Index: Volume I Fire
There are still good shepherds scattered, but they're far between and few. And the sheep's skin that the wolves all wear is so thin I see right through.
10. Hoods On Peregrine from The Artist In The Ambulance
But if knowledge is power, Know this is tyranny, All we're asking for is what's ours, You think they're selling you truth, Truth is, they're selling you out.
9. Words in the Water* from Major/Minor
And when I lost all hope to look, Someone took that heavy book from my hands, All it's weight they set aside, After they had satisfied it's demands, I felt white and black reverse, And the lifting of a curse from my heart, Then like one receiving sight, I beheld a brilliant light in the dark.
8. Doublespeak from Beggars
I slowly carve my soul away. Piece by piece I sacrifice. To comfort and peace of mind. (I keep my toes on the party line.) There’s nothing wrong dear, don’t think twice.
7. Deadbolt from The Illusion Of Safety
What have I done? is it too late to save me from this place? from the depths of the grave? we all are those... who thought we were brave. what have I done?
6. The Messenger from The Alchemy Index:  Volume I Fire
Mark me with Fear and Trembling, Send someone else instead, I know my world is ending, I can't repay my debt.
5. Of Dust And Nations from Vheissu
So put your faith in more than steel, don't store your treasures up, with moth and rust, where thieves break in and steal, pull the fangs from out your heel, we live in but a shadow of the real.
4. Stare At The Sun* from The Artist In The Ambulance
'Cause I am due for a miracle, I'm waiting for a sign, I'll stare straight into the sun, And I won't close my eyes, Till I understand or go blind. 
3. The Weight from Beggars
And come what may, I won’t abandon you or leave you behind, Because love is a loyalty sworn, not a burning for a moment. Come what may, I will be standing right here by your side, I won’t run away, though the storm’s getting worse and there’s no end in sight.
(Note: Most Thrice covers I have heard are terrible, but while writing this post I did discover an outstanding cover of "The Weight" by a band called The Material.)
2. The Whaler from The Alchemy Index: Volume II Water
"Father where do you go? It's farther than I can see, 
when are you coming home to me?" "Darling why do you leave, as the north wind begins to blow? Will you be coming home to me?"
1. For Miles* from Vheissu
As long as we live, every scar is a bridge to someone's broken heart, and there's no greater love, than that one shed his blood for his friends.

Filmed by me at the Variety Playhouse in Atlanta, April 2010.

May 11, 2016

Havalina Rail Co. shirts; Matt Wignall, and Wargirl

I am pleased to announce that I have my second shirt up for sale recognizing an under-appreciated band from the 90's: Havalina Rail Co., also just known as Havalina. Havalina remains to be one of the most diverse, eclectic, random, strange, yet talented group of musicians I have ever listened to. This shirt was primarily designed by Matt Wignall, Havalina band leader. After I got in touch with him and we emailed back and forth ideas and below is the result. The price is set low to be just a fun, comfortable item for fans new and old to wear. The American Apparel Triblend is especially comfy, I highly recommend it. Buy it here and it's only available for one week! (Note: if you know me personally you can order and select "pick up" from me and pay no shipping costs. I will be in three countries and at least a dozen U.S. states between now and mid-August.)

Available in a dozen different color and style combinations
Since Havalina disbanded in the early 2000's, Wignall has primarily made a living as a photographer, designer and producer. He is probably most well known as a producer for his work with Cold War Kids, and most notably to me as a graphic designer for his work on the packaging and artwork for Thrice's album Beggars. This is my personal copy of the album on vinyl, that I featured in a blog post in 2010:

Matt Wignall's personal website is thorough and a great portfolio of his diverse work. Wignall is also now involved in a new musical endeavor called Wargirl. While being active on Instagram, they have not yet released any music. Apparently their first EP will be released on vinyl in June (from their Instagram feed):

Back to Havalina, they were best seen live, and their shows at Cornerstone Festival were especially memorable. Both Wignall himself and bass player Orlando Greenhill were terrific, high-energy showmen. I saw them at this show, Cornerstone 2001.

Like I said, much of Havalina was wild and eclectic, but they did have a couple more catchy, pop-type tunes. This is one of my favorites:

May 6, 2016

Music and Mystery

From the NYC Public Library Digital Collction
Earlier today I was able to speak in my school's chapel assembly, and I chose the topic "Music and Mystery". As the school's athletic director, this seemed like a bizarre choice, but music plays such a profound role in my faith in Jesus.

I chose the band Luxury to build my talk around, as they are one of my all time favorites, and have recently been more in the "news" as they released a new album and have a documentary due out this year. This is the video clip that was used to fund their Kickstarter campaign, and I showed an edited version of it today before I spoke:

As can been seen in the video, Luxury is a fairly bizarre band in that 3 of the 5 members are Orthodox Priests. While not Orthodox personally, I am fascinated by the church due to its emphasis on the arts and on mystery. I cut this part out of my talk due to time constraints, but Luxury bass player Chris Foley's essay Man as Priest of Creation has a huge impact on me and greatly influenced my presentation. I highly recommend you read the whole thing, but here is a relevant passage:

"I found that the emphasis on the Incarnation of Christ stressed the goodness of creation and that now matter is united to God. This means that matter matters and beauty is not just something external to God (i.e. – optional) but an energy emanating from from God Himself – an absolute. I discovered that the early Church rejected anything that divided or separated Christ’s humanity from His divinity. As I learned more about the Orthodox faith, I found that the Orthodox teaching that every aspect of life is sacramental underpinned every teaching of Christ and the Church . This idea that matter matters speaks profoundly to faith as it relates to the creative process."

As I wrote in these essays on 1995 music last year, I struggled much in my teenage years about the secular vs. sacred divide. This divide tore at me for a long time, and thankfully, eventually Jesus revealed to me the divide is not truth. My essay on Fleming and John and Hoi Polloi ended this way (feels strange to quote myself):

My faulty, black-and-white world of “Christian music” and “secular music” was greyed so much by these two albums that the line no longer existed — there was just music.

My main point today (when I spoke, and I as I now write) is that music is mysterious. Music requires us to take it seriously, and examine its beauty and depth. And we can apply to this mystery to many aspects of our lives, and open ourselves up to things we don't understand. Music has allowed me to embrace mystery- both in art, in the world, and in the fractured Christian church. And as someone who grew up legalistic and judgmental, embracing mystery has allowed me to follow Jesus better: by loving God and loving others, many of whom are very different than myself.

5/10/16 Update: I uploaded a rough audio recording to YouTube of the 30-minute chapel talk if you are curious to listen (and watch).

I made aYouTube playlist of 8 songs I used in my presentation today, both directly, and by reference:

April 26, 2016

New Starflyer 59 album 'Slow' coming June 17

Despite June 17 being less than 2 months away, there has been no band or label promotion for this, Starflyer 59's newest LP, 'Slow'.

It can be pre-ordered on Amazon here.

There is some information that can be found here, including the track-list:
1. Slow
2. Told Me So
3. Cherokee
4. Hi Low
5. Wrongtime
6. Retired
7. Runaround
8. Numb

This Twitter exchange last fall hinted about the album:

And here is hoping all the songs on 'Slow' are slow like this...

March 4, 2016

Great new streaming music from upcoming albums: Explosions in the Sky, Rob Crow, Hammock, Neko Case, Fiona Apple & more

There are many, many great new albums set to release in March and April, and this week has been an especially good one for advance streams from those albums. I'll only embed one song, a new track from Explosions in the Sky, from their upcoming album The Wilderness. Pre-order the vinyl here; album drops in April.

Rob Crow of Pinback has a new band, called Rob Crow's Gloomy Place, and the album You're Doomed. Be Nice. releases today. Consequence of Sound is streaming the full album, and I have listened to it a dozen times over the last couple days. I am can't wait to hold the orange and purple splatter vinyl I ordered here.

Hammock is set to release their first album since 2013. Everything and Nothing releases on April 1 and you can stream three songs right now and pre-order the vinyl on the Hammock Bandcamp page.

Frightened Rabbit's new album Painting of a Panic Attack releases on April 8. They released the first single from the album this week, "Get Out", accompanied by a unique video filmed on location in Kiev, Ukraine. I have been to the park and monument where much of the video was filmed. Pre-order the vinyl here.

In one of the more bizarre combinations I have heard of, Neko Case, k.d.lang, and Laura Viers are releasing an album together on June 17, titled case/lang/viers. The first single, "Atomic Number", is also streaming on YouTube.

Another collaboration is a duet from Andrew Bird and Fiona Apple. "Left Handed Kisses" is on YouTube and will appear on the forthcoming album  Are You Serious by Andrew Bird on April 1.

The first new band on this list is the British punk act Muncie Girls. Their debut album From Caplan to Belsize releases today and is streaming in full on Stereogum.

Finally, Asthmatic Kitty is taking pre-orders for a 10th Anniversary vinyl release of Sufjan Stevens' Illinoise. Along with the release is a demo of the song "Chicago", which you can listen to on YouTube. That song is being released as a vinyl single on a red, star-shaped record. If you already own Illinoise on vinyl, you can order just the red star by itself for $8. Scratch that, they are already sold out!

February 17, 2016

Viola Beach tragedy

Last week all four members of the band Viola Beach, along with their manager, died as their car went off a bridge in Sweden while they were on tour. From the BBC news release: "Kris Leonard, River Reeves, Tomas Lowe and Jack Dakin and manager Craig Tarry were killed when their car plunged more than 25m (82ft) from a highway bridge into a canal." I encourage you to read all of the BBC story.

Like most of you, this tragedy is unfortunately my introduction to the band. I have been listening to them quite a bit the last few days though, and they were excellent. Below you will find links to some of their music, and I encourage you to check it out as you remember them and the pain their families and friends are dealing with right now.

First of all, here is a link to a live Daytrotter session they did in October.

And here is their first two songs streaming on Bandcamp:

And their most recent song on Soundcloud:

20 years later, Circle of Dust is back

Yesterday was the official, formal announcement that Circle of Dust is back. If you are reading this, you are probably like me, and Circle of Dust was your introduction to the industrial genre back in the early 90's. From yesterday's announcement...

Circle of Dust, the 90s industrial / electronic-rock project created by visionary artist/producer Klayton, marked the beginning of the musical career of the man who later went on to create independent success as Celldweller, as well as forming his own label - FIXT. Along with four full-length Circle of Dust albums in the 90s (Circle of Dust, Brainchild, Metamorphosis, Disengage), Klayton created a side-project under the name Argyle Park, which featured a vast collection of guest collaborators, including Tommy Victor of Prong, J.G. Thirlwell of Foetus and Mark Salomon (Stavesacre/Crucified).

Locked away collecting "dust" for 20+ years, the rights to the Circle of Dust & Argyle Park albums were unavailable to Klayton as the original labels they were signed to shut down in the mid-90s. After 2 decades of pursuing a deal to re-gain ownership of the albums, Klayton was finally able to reclaim the rights in 2015.

As Klayton began planning the remastering and re-release of the original albums, a new idea began to grow. He decided to not only re-release each album, but to fully resurrect the project and create a new full-length Circle of Dust album, to be released December 2016, nearly 20 years after the last Circle of Dust release.

Not only are all the re-releases being remastered, but each will include demos, unreleased bonus tracks, acoustic/alternate versions of tracks as well as some new remixes, with each album being released every 8 weeks, starting with the Self-Titled on March 4th, 2016.

Here is a brand new Circle of Dust track, Contagion, available as a free download.

The image above is the original Circle of Dust logo, and a sticker I displayed on my car in the mid-90's. I probably got more comments on it than any other sticker on my car, and a friend actually got the same sticker and placed it on the exact same location of his car in 1996.

I have followed Klayton's career since I first heard Circle of Dust in 1994 or so. From Circle of Dust to Argyle Park to Angel Dust to Celldweller, I have tried to pay attention and listen to a lot of it. Unfortunately, most of Klayton's music, while super-impressive from a technical and production standpoint, has not grabbed me like the stuff from the 90's. I'll admit this is probably mostly due to nostalgia. His work as Celldweller has been unbelievably extensive, and he does a great job connecting to the fans and offering all his music for reasonable prices with tons of free downloads.

Argyle Park is far and away my favorite release from Klayton, and all the guest vocalists and musicians are probably the reason for that (he left out Jyro and Jeff Bellew above). The "final" Circle of Dust album, 1998's Disengage, would be my second-favorite. Third would be the self-titled Circle of Dust album, which in March will be re-issued for the second time. Jason Morehead wrote a great essay about this album last year, celebrating the 20th anniversary of it's re-release:
Circle of Dust’s Circle of Dust

Circle of Dust was released in 1992, and then again in 1995. I have never taken the time to truly compare them side-by-side. Now the album will see a 2016 release, and you can pre-order it here.

One of the most confusing things about Circle of Dust early on was all the re-releases and different versions. Not only was the self-titled album released twice in three years, the other early Circle of Dust album, Brainchild, was also released twice in a short span. That original release even had a different band name--Brainchild--and the album was titled Mindwarp. Confused? Me too.

Finally, here is my favorite Circle of Dust song, and also the most mellow song Klayton has ever released...

February 11, 2016

Ninety Pound Wuss Shirts!

I am thrilled to announce today that new, original design, Ninety Pound Wuss shirts are for sale! I worked closely with Jeff Bettger (lead singer) to create these, which are in memory of John Spalding. John died of cancer in 2008 and was Ninety Pound Wuss' guitar player. The shirt features lyrics from the song"At the end of it all" from the album Short Hand Operation.

Buy them here!

They are available in multiple colors, and as short-sleeved tees, long-sleeve tees, hoodies, and tank tops. Here is a close-up of the art:

I am also selling a couple other shirts right now that are music related. I am working with a few other artists' right now, so more band shirts soon!

February 3, 2016

Turn Off the Radio t-shirts!

I decided to try something new today: I have put up Turn Off the Radio t-shirts for sale! They are available in USA and Europe, and ship reasonably to both places. (Also ships other places in the world, but shipping is not so reasonable to those locations!)

I have always been against ads on my blog, so I am trying this to see if I can make a little bit of cash (only around $1 per shirt). I set the prices VERY low, the cheapest option is only $12.

This is a crowd-funded campaign, but it only takes 10 people to order for the shirts to print. And you of course only pay if the minimum is reached.

Two different styles and dozen different colors available...

Standard Tee:

Premium Tee:

Thanks for your support!

February 1, 2016

Concert review: mewithoutYou, The World Is a Beautiful Place & I Am No Longer Afraid to Die, and Them Fleurs in Switzerland

As I have already mentioned, I was able to see mewithoutYou perform in Luzern (Lucerne), Switzerland on January 29 at the Triebhaus. When I learned they were playing so closely to me (an hour and a half drive south), I researched their tour-mates, whom I had never heard: The World is a Beautiful Place & I Am No Longer Afraid to Die.

(I want to buy this poster! If you know who designed it or where it might be for sale, please comment. The bands did not have it on tour.)

I was initially very impressed with The World Is..., and from a recorded standpoint, I still am. But their live show left a bad taste in my mouth; more on that below.

The location and venue were perfect. In my previous post you can see the view from the nearby lakefront. Most all major cities in Switzerland are on lakes, and are always gorgeous. The Triebhaus is a restaurant and bar, with the actual concert hall in the back. The place is full of unique artwork, and you can see a photo of some cardboard sculptures in my previous post.

The concert hall was very small; the smallest I have been to in quite some time. The last time I saw mewithoutYou was Cornerstone Festival 2007, and the tent they played was so packed and so hot and sweaty (in July), I listened to most of that show from outside the tent. Here are some photos of that show and festival. The cover shot, which despite its blurriness, has always been one of my favorites. It is the outside of the mewithoutYou tent, and accurately shows how crowded it was...

Cornerstone Festival

In 2016 mewithoutYou typically plays shows to hundreds of people (if not thousands) and this room at the Triebhaus could not hold more than 150. So as I talked to band members at the merch table before the music began I wondered: 1) How would all the fans fit and 2) How would all the members of The World Is... be able to stand on the stage.

The opening band, Them Fleurs, was impressive and about as much as one can ask of an opening band. They were local, and because of that, they crowd filled the small room and was paying them close attention. My overall opinion is that I loved their sound and guitar work, but the vocals did not compliment the music. My fellow concert-goers agreed that the vocals prevented them from truly enjoying the band.

Them Fleurs gallery (14 photos): Them Fleurs

While mewithoutYou and The World Is... are co-headliners on this tour, mewithoutYou played first and as far as I know it has been the same order all tour. They both played hour-long sets.

I had high expectations for mewithoutYou, and they did not disappoint. The venue was full, but not overly so, and it was possible to move around and get as close to the stage as one would like. As I moved through the room everyone was at minimum paying very close attention, and there were many fans singing along to every word.

mewithoutYou's energy is second-to-none, propelled by drummer Richard Mazzotta. He plays a small kit, but is relentless. While the band did not seem as tight as I usually hear them described, their complete investment into their music makes it easily to excuse their mistakes. For example, when Mike Weiss prematurely launched into the opening fuzzy guitar riff of "February, 1878", it seemed the band initially considered stopping to continue with their planned setlist. But brother Aaron Wiess said, "Go with it" and they continued unfazed.

While I did not see or note the setlist from the show I attended, this one from a few nights prior in Leipzig, Germany seems to be very close, with maybe two or three different tunes. From memory I would say there was one additional song from Brother, Sister and one less song from Pale Horses. I was very surprised to hear a song from A to B Life, because I have not listened to that album in years (and is really the only mewithoutYou album I never revisit). When they began playing it I initially thought to myself, "New song?" but then realized, "Nope, very old song!"

I was especially impressed with Brandon Beaver, mewithoutYou's "second" guitar player who joined the band in 2012. Not only did he seem to play just as many essential leads as Mike Weiss, his background vocals were flawless and essential to the songs from Ten Stories. I love all the female vocals parts on Ten Stories, and Beaver's falsetto replaced them well.

Singer Aaron Weiss is obviously the key to the band, and he was fascinating as always: sitting at times, at one point partially hidden behind the drummer, but most of the time bouncing around the stage. His charisma and passion makes him the perfect frontman, but his awkwardness and humility imply the opposite. Either way, it is nice to have a band leader who is genuine and not at all full of himself. This photo perfectly encapsulates the dynamic of the band; Aaron seems to be of another world...

mewithoutYou Live at the Triebhaus-21.jpg

Overall the show clearly reminded me that Brother, Sister is my favorite--and the best--mewithoutYou album. Ten Stories would be next, and the percentage of the songs from these two releases only trailed 2015's Pale Horses. I was surprised that no songs were performed from It's All Crazy! It's All False...; and it was the only album not represented. (Edit: I was reminded that they did play a small segment of "Cattail Down" as an introduction to another song.)

mewithoutYou closed with the epic "Rainbow Signs", and was the only song Aaron Weiss played electric guitar on, adding to the fullness and intensity:

mewithoutYou gallery (46 photos):
I may be one of the few, but I really like the too-long band name. As I mentioned, I had never heard of The World Is... until two weeks ago. I bought their newest album, 2015's Harmlessness, very quickly because: 1) It is great and 2) only $7 digitally. Not only that, I downloaded most all of their discography because they have it as free downloads.

I have become obsessed with the song "January 10, 2014", its fascinating true-life story, and outstanding video. The band has a shirt for sale with "Diana the Hunter" on it, and I chatted with David Bello about the song. The band opened with it, and for the most part, it sounded exceptional.

Unfortunately, not completely exceptional. While musically The World Is... was tight and sounded great, lead vocalist David Bello sounded awful. I would like to think he was off or having a bad night, but from what I have read, he sounded as he usually does.

From a recorded standpoint, I like Bello's vocals, but live, they were off-key and out of sync. What is crazy that I just discovered he actually has solo work, and his vocals on it do sound the same as I heard them. So there must be some people who like his voice the way it is. Plus he has been an active musician in a number of bands for a very long time. And if he also writes the lyrics, he does a great job in that regard. (Because there are so many revolving members of the band, and have had so many vocalists over the years, it has been impossible to figure out who writes what.)

But his vocals were a distraction. First of all, my two friends who accompanied me to this show were completely put off by his vocals. They were hearing The World Is... for the first time, and it is doubtful they will give the band another chance. Secondly, the venue cleared out. It was obvious before The World Is... played that most attendees were there for mewithoutYou, and they left as the final set began. The longer The World Is... played the smaller the crowd got. There were far more people in the bar in the next room than there were in the concert hall.

I don't want to get away from how good the band sounded otherwise. The music and guitar work overall was intricate and sounded almost exactly like their recordings. However, I have more complaints. While talking to a few members of the band before the show I asked how many members they had on tour with them, as I had read they sometimes had as many as a dozen. They told me they were playing with eight, one less than the nine they had on their last US tour. They said the violin player couldn't come because the plane ticket was too expensive.

That all made sense to me until I saw them take the stage with FOUR guitar players. The line-up was a vocalist who played no instruments; four guitar players, two of which who sang sometimes; a bass player; a drummer; and a female keyboard player who also sang lead on occasion (Katie Lynne Shanholtzer-Dvorak is easily one of the most important people in the band). One of the guitar players could have easily been removed from the stage and no one would have noticed. The other three guitar players all played interesting parts, but the parts could have been covered by two players fairly simply. (I have seen bands play live with only one guitar player and the sound was equally as full.)

After a few songs I was pretty upset they left the violin player behind. And all three background/alternate vocalists could sing WAY better than the lead singer. With eight touring members, a couple of which I would say were non-essential, I don't see how the band is making money on this European tour. I hope for their own sake they break-even and are able to just enjoy it as a vacation.

Overall I would say The World Is... was able to overcome the poor vocals. I enjoyed their show as a whole, and just last night bought the band's first LP, Whatever, If Ever. If my complaining serves any purpose maybe it is just to lower the expectations of those readers who may see the band play in the future.

The World Is... gallery (18 photos):
The World Is a Beautiful Place & I Am No Longer Afraid to Die